The love was exhausting to listen to at Streisand present

Singer Caroline ‘Connor… sang a transferring interpretation of the towering “Folks” from “Humorous Woman”, the present that gave Streisand her first large theatrical break.

Music / “To Barbra, with Love – An 80th Birthday Celebration”. At Canberra Theatre, February10. Reviewed by IAN McLEAN

AFTER a six-decade profession throughout stage, movie and music, Barbra Streisand turned 80 in April. Regardless of 52 gold albums and 31 platinum albums to her credit score, remarkably she by no means discovered to learn music and rarely did vocal workouts. 

Her unimaginable vocal energy, wealthy tone, finesse and vocal agility had been simply pure items.

It was that unimaginable expertise that was celebrated in “To Barbra, with Love” however, sadly, the present didn’t begin effectively. 

Sound steadiness was initially so extremely poor (a sound desk or present director, not participant, concern) that hardly a phrase of the opening tune, sarcastically “Placing it Collectively”, was discernible. Nearly all the pieces was drowned out by bass and drums. 

Significantly better sound manufacturing is anticipated of a touring skilled present however the domination within the mixture of rhythm devices was annoying and irritating. 

Points of the sound design did enhance and the drum package was introduced again to acceptable ranges, however bass/bass guitar pounded away too loudly the complete night time. World-class singers and a very good orchestra had been on stage but it surely took far too lengthy earlier than the beautiful Streisand melodies turned the function of the present.

Fortunately, the sound combine had settled considerably by the point the sensible triple menace and vastly skilled Caroline O’Connor sang a transferring interpretation of the towering “Folks” from “Humorous Woman”, the present that gave Streisand her first large theatrical break.

See also  Aspiring Canberra nation singer wins grant

Proof of Ms Streisand’s mastery of all kinds of musical kinds adopted with Katie Noonan emotive and pure in her portrayal of “Evergreen”, a tune composed by Streisand herself.

The primary half spotlight was “You Don’t Deliver Me Flowers”, fantastically sung by Elise McCann (maybe greatest recognized for her position as Miss Honey within the Australian manufacturing of “Matilda”) with Ainsley Melham (who performed the title position in each the Australian and Broadway productions of “Aladdin”) singing the Neil Diamond a part of the well-known duet. 

Conductor Vanessa Scammell… offering a transparent, guiding baton to the Canberra Symphony Orchestra.

With rhythm part resting this was the primary actual alternative to obviously hear the plush strings of the Canberra Symphony Orchestra underneath the clear, guiding baton of Vanessa Scammell.

Melham sang a joyous model of “Pleased Days Are Right here Once more” and O’Connor concluded a lower than absolutely satisfying Act 1 with a driving, pulsating “Don’t Rain on my Parade”.

Fortunately, some essential changes gave the impression to be made to the sound combine throughout interval so the sooner sense of apprehension and uncertainty disappeared and Act 2 delivered a way more competent and assured providing with Noonan turning to her jazz chops for a powerfully emotive model of the crushing “Cry Me a River”. Shortly afterwards she modified type effortlessly and soared to nice operatic-type heights with managed and crystal clear tone in “Someplace” from “West Facet Story”.

There have been poignant moments with two Burt Bacharach tunes, “One Much less Bell to Reply” and “Home is Not a Dwelling” in a becoming tribute on the day of his passing, then the emotional spotlight of the live performance – a surprising and heartfelt McCann interpretation of “Papa Can You Hear Me” from “Yentl”. 

See also  Infectious rhythms from the brothels of Buenos Aires

“Responsible”, by the Bee Gees, supplied an applicable distinction into the pop world then the dearly beloved “Ship within the Clowns” and “The Approach We Have been” earlier than all 4 singers joined forces in a rollicking encore which closed the present.

With a quartet of such versatile and gifted singers accompanied by a good, effectively balanced and led Canberra Symphony Orchestra this present had the potential to succeed in nice heights and be a extra pleasing and becoming tribute to one of many best artists of our time. Sound replica points robbed the viewers of that chance. The present considerably climbed the steps, however didn’t ever attain the celebrities.

Who might be trusted?

In a world of spin and confusion, there’s by no means been a extra necessary time to assist impartial journalism in Canberra.

In case you belief our work on-line and need to implement the facility of impartial voices, I invite you to make a small contribution.

Each greenback of assist is invested again into our journalism to assist hold robust and free.

Develop into a supporter


Ian Meikle, editor