Craft / “Coalesce”, Sturt Gallery, Mittagong, NSW, till November 13. Reviewed by MEREDITH HINCHLIFFE.
FOUR artists from Canberra joined with one other from Sydney to current an exhibition titled “Coalesce”, which is described as “cultured inside – innovation and excellence in up to date craft and design”.
Three artists are from the one household.
Jennifer Robertson has a global status as a weaver of textiles.
In 2017 she participated in a mission with scientific analysis performed by emeritus professor Ian Jackson, from the Analysis College of Earth Sciences. She made a really giant work which hangs within the RSES on the ANU campus. Since that point, she has been investigating a broader vary of supplies together with titanium, brass, and copper for weaving. She can be knitting aluminium with a view to anodising 3D knitted varieties.
Along with the metallic 3D woven varieties, Robertson is together with smaller works titled “Hole Vessel sequence” in waxed linen thread. She is a prolific artist with a deep data of the capabilities of her superior loom and pushing each herself and the loom to attain extra. Given Sturt’s historical past of the event of weaving because the ’50s it’s opportune for this exhibition to incorporate such difficult work.
Christopher Robertson is a furnishings designer/maker. He’s displaying a number of small, round tables and a sensuously curved “Couch”. Jennifer Robertson wove the upholstery cloth.
The tables, constituted of totally different timbers, have slender stainless-steel legs branching off a central rod. Varied formed and timber toes add color and life to the tables, however to my eye seem just a little cumbersome. “Couch” is most uncommon and is mild each in color and look. The again follows the curves of the seat and wraps across the sitter.
The third artist who makes up the trio is Timothy Robertson, their son.
He’s additionally exhibiting furnishings – two low chairs every utilizing totally different supplies. One has a powder-coated metal body with oak veneer plywood seat and again. The second chair is in leather-based with a chrome steel body. They give the impression of being comfy and lightweight to maneuver.
The fourth Canberra artist is Tom Skeehan from Skeehan Studio, a furnishings designer. He’s exhibiting upholstered arm chairs and lights, made with the help of different Canberra artists. These brightly colored upholstered chairs are harking back to Australian designer Grant Featherston’s radical designs from the early Nineteen Fifties.
Katherine Mahoney is the fifth artist, and he or she is exhibiting pale ceramic works in Imperial Porcelain and Stoneware. I discover them lifeless, however that is the present vogue.
The exhibition shows very good abilities in execution of design. Nevertheless, for me the exhibition is austere and I ponder in regards to the cultured inside. Jennifer Robertson is certainly the artist to assert innovation within the present.
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Ian Meikle, editor